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Joint master in Alpine Ecology Alpine ecology is an academic field focusing on how abiotic and biotic factors affect the distribution and dynamics of species and populations in alpine environments. Why Alpine Ecology? The study will provide students with a better and broader understanding of present and future challenges and threats that alpine environments are facing. Through lectures and fieldwork/laboratory exercises students will acquire the necessary theoretical knowledge and practical skills to initiate sustainable management and conservation strategies in alpine areas, and to do so in accordance with ethical and scientific guidelines.

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The ecology and management practices of alpine ecosystems in Norway (boreal) and Slovakia (temperate) will be highlighted. The study program consists of various courses comprising in total 60 ECTS and a Master’s thesis (60 ECTS). Teaching is largely based on one-week modules, and laboratory and field-oriented teaching. It provides a flexible study program and places high demands on student’s ability to work independently. Combining theory and practice is central throughout the program.

This will provide students with necessary theoretical knowledge as well as practical experience required for employment or further studies. The Master thesis is based on an independent study under the supervision of Professors.

Further study opportunities Students who graduate from this program can move on to Ph.D. Programs in environmental science, ecology and similar fields of research.

The only documentary to focus solely on the life and career of Yvonne Rainer, Feelings Are Facts: The Life of Yvonne Rainer tells the captivating story of one of America's most important artists. In 1962, as a founding member of Judson Dance Theater, Rainer revolutionized modern dance by introducing everyday movements like walking and running into the dance lexicon. Abandoning choreography in the ‘70s, Rainer introduced narrative techniques into American avant-garde film, turning that genre on its head, too. In Feelings Are Facts, we follow Rainer, now in her 80s and returned to choreography, as she continues to create vibrant, courageous, unpredictable dances that invite audiences to question basic assumptions about art and performance. A riveting documentary.

A compelling portrait of a truly original artist, as vital as ever in her senior years. -San Francisco Examiner Articulate and illuminating. Rainer comes across here as a flinty, inspiring and indefatigably questing practitioner, keen to explore her chosen fields to their maximum potential. -Hollywood Reporter An engaging, fascinating look at a maverick contemporary-art leader. -Vancouver Observer Essential viewing for not only dance aficionados, but for those seeking an illuminating example of how postmodern artists were instrumental in 'opening up the palace gates of high art.' -The Georgia Straight.

An excellent introduction to the work of one of our culture's most sensitive and intelligent weather vanes. Celebrates the aesthetic and political value of an approach to making art that refuses easy categorization in favor of giving form to the particular, felt qualities of everyday life in the late twentieth and early twenty-first-centuries. I could see using the film in my Trends in International Contemporary Art and History of Performance Art, 1900 to the Present courses.' Elise Archias, Assistant Professor of Art History, Author of The Concrete Body: Rainer, Schneemann, Acconci University of Illinois, Chicago 'Jack Walsh’s Feelings Are Facts: The LIfe of Yvonne Rainer is an informative and still provocative review of Rainer’s career and the ideas that motivated it. In this apparently effortless cinematic correlation of her art and her life through oral and visual history a series of productive tensions are explored: theatricality versus anti-theatricality, modern dance versus film, and text as it relates to image and movement. All this and more should lead young choreographers to think.